Each year there are hundreds of film festivals throughout the world.
Only
a few are among the most important and are recognised as competitive by the international
federation for film producers.
These festivals designate their official jury.
They also welcome a jury from the International Film Press and, for many of them,
a SIGNIS or ecumenical jury which chooses the film that will receive the prestigious
Ecumenical Award .
The award was created by Christian film makers, film critics
and other film professionals. Its objective is to "honour works of artistic quality
which witnesses to the power of film to reveal the mysterious depths of human beings
through what concerns them, their hurts and failings as well as their hopes.
The
2012 Cannes Film Festival has come and gone. But the film that won the Ecumenical
Award during that festival paints a powerful portrait of man’s strength and shortcomings.
It’s called “The Hunt”.
As the film producer commented when she received the
film on the part of director, Thomas Vinterberg, "in this film there are no villains
– only the best intentions…"
To find out more Vatican Radio's Linda Bordoni
spoke to Magali Van Reeth, the general secretary of Signis in France and a member
at the Ecumenical Jury of the 2012 Cannes Film Festival… I asked her first of all
to tell me about the Ecumenical Prize itself.
listen...
Van Reeth
explains that the prize has been present at Cannes for almost 40 years. It has a double
meaning: "showing to the world of cinema that Christians are inside this world as
an expression of art but also giving a sign to Christians all over the world that
cinema is very important to us to know better the world we live in, and also as a
way to announce our faith, but Christian faith has always been linked to art".
Van
Reeth says this particular film was chosen because it gives us a wide range of issues
and discussions. It shows how violence is still so present in the modern world. It
also questions what it means to be a man in Scandinavian society. It shows what is
the importance of children in Western societies where families have less and less
children, and children tend to be sacralised...".
Nothwithstanding a situation
of despair, the film carries a strong message of hope because at the end, Lucas -
the man wrongly accused of having abused a child - has an examplary behaviour throughout
the film, and is finally also able to forgive the child. "It's a nice way of talking
about forgiveness".