One of the key moments in the Opening Ceremony for the 50th International
Eucharistic Congress in Dublin June 10th will be the “Gathering of Ireland’s
Tribes” from the island nation’s four provinces, Ulster to the North, Munster to the
South, Leinster to the East and Connaught to the West. Emer McCarthy reports Listen:
Faithful
from each province will enter the main arena of the Royal Dublin Society, (RDS) led
by their Archbishop singing the Congress Hymn “Though we are many”, written
by Bernard Sexton. There will follow a pageantry of Irish music, song and prayer
drawn from the centuries old heritage of Irish worship. Lest any of the thousands
of pilgrims from overseas - who will form the “5th” province of the Congress
– forget that Christ’s message first arrived on these shores over 1500 years ago.
This
is just one example of how organisers have endeavoured to marry the island nation’s
deep Christian roots with the new reality of being Church in Ireland. The liturgies
that will permeate the week long Congress and the two principal celebrations, the
Opening Mass and Statio orbis, have also been carefully planned to reflect Irish spirituality
– past and present – and the Universal Church.
New Mass settings were commissioned
from contemporary Irish composers and bear the title Sing the Mass. This may
seem obvious to many, but not to Irish congregations. The irony is, that while Ireland
is synonymous worldwide with music, celebration and song, once inside the Church and
gathered around the altar, Irish congregations tend to leave the singing to choirs.
This is why, for IEC2012, 100 choirs drawn from across the nation are going
“undercover”. They will be dotted around the RDS Arena and the Croke Park stadium,
among ordinary pilgrims. Each choir and their individual leader will try their best
to encourage the people around them to celebrate their faith in song.
“Really
what the Archbishop of Dublin was looking for was just this huge voice of congregational
singing”, says Germaine Carlos the women tasked with coordinating all one hundred
choirs. For over a year, she says, choirs big and small have been preparing for the
Congress experience. “They are so excited, that is the feeling right now, it’s the
utter excitement. Whether the weather is rainy, they really don’t mind that at all
they just want to get the music and get to Congress”.
So what will they be
singing? Everything from Hasslers O Sacrum Convivium to a new setting by Colin
Mawby of the renowned hymn of adoration O Sacrament Most Holy. And in between
real jems from Irish sacred music.
The Liturgy of the Eucharist, when prepared
with thought and care, can be the most powerful and compelling means to communicate
the faith to people. The role of sacred music within the structure of the liturgy
is often underestimated. Praise of God in song is not only a doorway open towards
Heavens, it is also a channel of communication to others here on earth:
“The
Congress for us here in Dublin is not just the week”, says Fr. Pat O’Donoghue Director
of Music for IEC2012. “We are encouraging everyone to freshly look at how they celebrate
liturgy and from my point of view, how they celebrate the music of the liturgy. I
am sure that people will come away with a sense of Ireland and music and the welcomes
and hopefully the saints and the scholars too”.